Although digital technology and access is changing the use of our written world, we were proud to start our communication through the Journal. This wonderful “printed” blog approach came mostly from the editorial direction and pen of Scott Skinner, Ali Fujino, and our man in the field, Ben Ruhe. From years of Journal publications, we changed the format to be not a few individuals' view but to have individuals of the kite community use their own words to bring forth something innovative and exciting about the world of kites. Enter the current edited version of Discourse by Katie Davis, Scott Skinner, and Ali Fujino. Below are archived articles from both the Journal and Discourse.

Most Recent Articles

  • If you are anything like me, you are probably tired of all the promises of new and exciting inventions that are just over the horizon or about to change the world as we know it. I’m talking about the flying car in our garage, the trip to the moon for anyone interested, the miracle foods that end world hunger and keep you thin and fit no matter how much you eat ... blah, blah, blah.
  • We wrote a past Kitelife article about a wonderful addition to the Drachen Foundation kite collection: “DF Board president, Scott Skinner, describes how the fifteen kites, all more than a hundred years old, made their way to Drachen. Because of an unexpected and delightful gift in 2000, the Drachen Foundation may hold the oldest specimens of Korean kites extant. The kites were originally bought by or given to Georges Lefevre, French consul to the Orient in the 1890s.
  • 29 years ago, seven enthusiasts met on the island of Fanoe, Denmark and established the most unique of world kite events. This annual meeting would not be a “festival” in the traditional sense: no sponsorships, no paid attendees, and, for the most part, no formal schedule. From those original kite crazies, the event grew to host well over 8,000 fliers in the late 1990s and early 2000s. The Kitefliers’ Meeting has held steady with over 5,000 attendees to the present and it maintains a special spirit. People come because they want to come.
  • My kite prints are as much about the craft of making as they are a gentle delight in challenging the notions of what constitutes a print and where the perceived borders between the fine and applied arts end and begin. In the U.K. there are still very distinct borders between that which is perceived as art and that which is then deemed craft. A denial of craft skills seems to me as an educator a sad consequence of current trends. Fortunately this view is changing and I find great enjoyment in making craft works that are shown in an art context.
  • As we look at all the facets of kiting from single line to four line, from flying with your grandkids on the beach to 800-man mega team flying, from fighter kites with glass-studded string to the art of aerial photography, nothing brings more excitement and adventure than power kiting. In over 20 years of kiting, I have tried out virtually all forms of power kiting, including kite flying from the back of a paraglider.